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Hair has remained to be the most potent artistic and sociological mark of vibrant sexuality for women in the West. It is understood at the simplest level as a fashion statement and tool. The world has recorded very little changes with regard to how women put on their hair or the linkage between flowing long hair and sexuality has not been able to be broken over several centuries of tradition. Though there was a shock that was felt for the first time in the sixties in the fashion and art world when most of the aesthetically beautiful ladies trimmed their hair short like their male counterparts, the Western dominant trend remains the reign of long hair among the heterosexual women, and cropped for bisexual and lesbian women.

As a reflection of the wider cultural practices in which it is rooted, the art community forcefully evolves in the same fashion as community. However, the introduction of the post modern knowledgeable hub in the bounds of artistic circles has led in the Avant Garde scene that is a representation of the conceptual persuasion brand which sees art being appreciated by those individuals who share the same vision as opposed to the past art that was developed with the existing ideas of that time in mind.

The existence of the famous stereotypical art has come to an end in an internationally commercialized form yet art has become divisible and fragmented in the same manner. Therefore, there is a discrepancy that exists between providing a conclusion for sexuality and female hair symbolism visual culture and putting forward a deduction that concerns the same relationship while keeping in mind the dislocated artistic community.

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Even though it is fair to argue that women hair, in all its forms, must be linked to feminine sexuality (according to the male perspective definition), post modern visual artists have been using this premise to turn what was beautiful at one time into an image that is more perverse. This makes the object a more unifying work piece within their ideological beliefs. Essentially, the wishes of art are to appreciate sexuality and gender while culture and society have not yet come to terms with the fact that it exists in the first place.

The overall legacy of creativity has been blinding of the restrictions of sexuality and sexes. Therefore, a person must forecast the continuation of the merger of sexuality led by the proponents of post contemporary visual art that will continue to pose challenges to the whole community at large as long as the important similarities between these sexes are overcame by an existing cultural desire to exacerbate the prevailing gender divides. Rudolf Arnheim (2002;461) concludes that “we don’t understand what the future of art will be looking like. There is no single style that is the final climax or art. Each style is just a single valid approach of viewing the world, one observation of the holy mountain, that offers a varied image from each place but can be looked at as the same everywhere.

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